So begins Hans Belting’s brilliant, iconoclastic reconsideration of } With Art History after Modernism, Belting retains his place as one of the most original. Art history after modernism / Hans Belting ; translated by Caroline Saltzwedel and Mitch Cohen, with additional translation by Kenneth Northcott Belting, Hans. Art History after Modernism, by Hans Belting. Translated by Caroline Saltzwedel with Kenneth Northcott. Chicago, November $65 cloth, $ paper.
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Art History after Modernism, Belting, Saltzwedel, Cohen
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University of Chicago Press: About Contact News Giving to the Press. Talking Art Gary Alan Fine.
Art History after Modernism Hans Belting. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art.
Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after ModernismBelting retains his place as one of the most original thinkers working in the visual arts today. I – Modernism in the Mirror of Contemporary Culture 1.
Epilogues for Art hnas for Art History?
Art Criticism versus Art History 4. The Unwelcome Heritage of Modernism: Style and History 5. The Late Cult of Modernism: Documenta and Western Art 6.
East and West at the Watershed of Art History 8. Global Art and Minorities: A New Geography of Art History acter. The Mirror of Mass Culture: The Temporality of Video Art The Narrative of Art in the New Museum: Art and the Crisis of Modernism Art Historiography as Tradition Methods and Games of an Academic Discipline Work of Art or History of Art?
Art History versus Media Studies Arthur Danto Art Newspaper. For more information, or to order this book, please visit https: Events in Art and Architecture. Twitter Facebook Youtube Tumblr.