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APPETITE FOR SELF DESTRUCTION STEVE KNOPPER PDF

Appetite for Self-Destruction by Steve Knopper – For the first time, Appetite for Self -Destruction recounts the epic story of the precipitous rise and fall of. Steve Knopper. · Rating details · ratings · reviews. For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and. Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age: : Steve Knopper: Books.

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For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and destfuction of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world — and the advent of file sharing brought it to its knees.

In a comprehensive, fast-paced account full of larger-than-life personalities, Rolling Stone contributing editor Steve Knopper shows that, after the incredible wealth and excess of the ’80s and ’90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.

Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming sppetite obsolete.

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Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world’s highs and lows.

Appetite for Self-Destruction

Based on interviews with more than two hundred music industry sources — from Warner Music chairman Edgar Bronfman Jr. From the birth of the compact disc, through the explosion of CD sales in the ’80s and ’90s, the emergence of Napster, and the secret talks that led nkopper iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.

With unforgettable portraits of the music world’s mighty and formerly mighty; detailed accounts of both brilliant and sel ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, Appetite for Self-Destruction is a riveting, informative, and highly entertaining read.

It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it’s going from here — and a cautionary tale for the digital age.

His book, Appetite for Self-Destruction: He lives in Denver with his wife, Melissa, and daughter Rose. A wide-angled, morally complicated view of the current state of the music business He paints a devastating picture of the industry’s fumbling, corruption, greed and bad faith over the decades.

Though the labels persevered, they finally lost control of their product when they chose to ignore the possibilities of the Internet Knopper piles on examples of incompetence, making a convincing case that the industry’s collapse is a drawn-out suicide.

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Appetite for Self-Destruction eBook by Steve Knopper | Official Publisher Page | Simon & Schuster

The best parts of the book, such as Knopper’s analysis of the late-’90s teen-pop bubble and how it ultimately burstmove with the style and drama of a great legal thriller — think Michael Clayton with headphones This is gripping stuff. Laced with anecdote, buttressed by detailed accounts of the most flagrant record-industry transgressions, Appetite its title nicked from that of the Guns N’ Roses debut disc is an enthralling read, equal parts anger and regret.

Knopper’s writing is sharp, his destruvtion sharper By clicking ‘Sign me up’ I acknowledge that I have read and agree to appeyite privacy policy and terms of use.

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