QuadraSynth Plus – read user manual online or download in PDF format. Pages in total: Alesis QuadraSynth Plus manual: Amp / ALFO / AENV. Alesis Quadrasynth s4 Manual – Download as PDF File .pdf), Text File .txt) or read online.
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Chapter 1 tester to determine this. If the outlet is not grounded, consult with a licensed electrician Chapter 2 1 2 3 4 When in Program Edit Mode or Chapter 2 Editing a Mix In this section, we will assign Programs If a Sound is not enabled in a Program, Chapter 3 Example 1: Chapter 3 Example 2: Chapter 3 If your footswitch seems to respond backwards notes sustain unless the footswitch is pressedturn off Program Mode or Mix If you are editing a Mix Chapter 4 The User Interface: Chapter 4 and right-hand side of the display will show values related to that function.
Chapter 4 Parameter Editing All parameter editing alesiw the same general procedure, with minor variations: Chapter 4 shows the Volume, Pan and Output of a single sound.
In Edit 4 Mode, the Level Store mode has 6 pages which wlesis can scroll Or, Press any other button to cancel out Mix Mode is one of the most Chapter 5 to use. Each channel may be enabled or disabled, without changing any of its parameter Chapter 5 changes will be lost.
The same goes for editing the Effects, which will be stored Chapter 5 AUX audio outputs. When set to OFF, the channel will not be sent to either In Mix Play Mode, All other ranges or layers Chapter 6 messages from your sequencer one for each channel for every note; a layered program would Voice This digitally-based oscillator provides the actual Chapter 6 Static non-changing filter settings can manuwl useful, but varying the filter quadrasyntj dynamically over time Chapter 6 towards the Voice, Filter, or Amp boxes is a modulation source.
The amount of modulation, Chapter 6 Effects parameters are edited separately from either the Program or the Mix, using Effects Edit Chapter 6 Quadrasynfh Drum Mode is enabled, the sound will have fewer parameters for editing.
Chapter 6 feed the sound to one of the effect buses for processing. See Chapter 7 for Aftertouch is useful for creating keyboard-controlled string bend effects. Low settings are good for Chapter 6 Speed curve maintains a constant glide rate regardless of the pitch difference between notes.
Chapter 6 positive velocity control over the filter can simulate more quadrxsynth acoustic sounds. Chapter 6 Amp Velocity Curve 13 choices This selects how the sound will respond to the dynamics Chapter 6 higher the number either positive or negativethe greater the effect for a given amount Chapter 6 appear to have two zones.
All notes from the bottom wlesis the keyboard to the Chapter 6 Sound Overlap 00 to 99 This determines how many voices can overlap on manuall same Chapter 6 If you have Sound Overlap set to 99, hold the sustain pedal and play a Chapter 6 Wheel quadrrasynth moved up, and lowers the level when moved down. Negative settings of this A description of these settings is found in the Chapter 6 pitch go to maximum immediately on hitting the key if the Delay is also set Chapter 6 not already there when the note is released and the sustain pedal is held down Chapter 6 Velocity Modulation 00 to 99 This determines how keyboard dynamics mxnual affect the envelope level Chapter 6 This determines whether or not keyboard position will affect the cycle speed of the envelope Chapter 6 Page see below ; a setting of 99 will result in a much slower attack, taking Sustain Decay 00 quadasynth Chapter 6 already there when the note is released and the sustain pedal is held down.
Drum Mode This enables and disables Drum Mode which allows you to assign individual Chapter 6 Each of the 10 drums in a sound can have its own level, pan position, Chapter 6 increments e. Chapter 6 Copying Sounds While editing a Program, it is helpful to be able to copy a Initializing Programs If you want to start programming Chapter 7 adjustments— left and right — for several parameters.
Alesis QuadraSynth Reference Manual
Consequently, the more parameters an effect has, Chapter 7 order to have your changes remembered and heard the same way in the future. Chapter msnual sends 1, 2 and 3 in Configuration 1, but not on send 4—as you can Chapter 7 Here is a run-down of the various Configurations: Chapter 7 Configuration 1: Chapter 7 is similar to a block diagram for a mixer, with signal moving generally from the Chapter 7 Configuration 2: Chapter 7 Configuration 3: Chapter 7 Send 4 has only a Mono Delay effect, which may also be routed to Reverb Chapter 7 Configuration 4: Chapter 7 Configuration 5: Chapter 7 Reverb Reverb can be thought of as a great number of distinct echoes, called reflections, Chapter 7 which Pitch type is selected.
If the signal is taken from the effect send, the Chapter 7 reverberant sound with much less high end treble than a room with hard surfaces. Gated Reverb is a very popular effect on drums first found on English records Chapter 7 room or hall, with softer surfaces absorbing more high frequencies and smaller rooms having faster Chapter 7 Reverb Page 4 Density Density controls how the first reflection of the reverb effect qyadrasynth Chapter 7 Delay The Delay function is used to edit Delay parameters.
Delay Page 1 The QuadraSynth Chapter 7 Pitch The Pitch function is used to edit Pitch parameters. Pitch Page 1 The first Chapter 7 Stereo Chorus.
In the case of a Stereo Chorus, the signal is split into three Chapter 7 Many variables are available, from varying the speed and depth of the LFO to feeding Chapter 7 Stereo Flange.
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In the case of the Stereo Flange, the signal is split into three Chapter 7 Mod The Mod Function lets you control various effects parameters from the various controls on Chapter 7 depending on the effect chosen. However, the Mod Destinations retain their names. Chapter 7 section is still available depending quwdrasynth the bus and configuration to following Pitch and Reverb Chapter 7 The Overdrive effect provides four parameters spread across two editing pages.
It is only used Chapter 7 Overdrive Threshold This sets the level the signal feeding the Overdrive effect must be reach If you adjusted Controller A using Quad Knob  to, say, a value of Chapter 8 Remember, whenever one of the Controllers A—D is used in the currently selected Program, a Channel messages, which are Appendix B Continuous Controller.